Study of a book. 05.2018 [Paper,Plaster]
The “perfect” european shoe/feet. _Bernard Rudofksy
Bodies that defy the norm Fakir Musafar Lisa Lyon
A digital iteration | 11.2017 Facial shape manipulation [Photoshop]
Digital Collages | 06.2017 Trying bodies
Work in Progress | 04.2018 A preview [Digital, Rhinoceros]
Q.* How does a material interact with the body?
Testing bodies | 05.2017 [Flesh,3D Printing]
Planar representation of a body | 05.2018 [3D Rhinoceros,Adobe Illustrator]
Isocurves morphing | 01.2018
Isocurves morphing | 01.2018
"If clothing is the external fragments of the human body representation through time, the body is the ephemeral base where clothing stands in time and space"
Iteration of how to expose a body | 05.2017 [A taken old painting,digital manipulation]
Q* Unseen.Seen. Exposed. Hide A constant inprint of a created self. ¿Does it helps to be true to ourselves? Render of a space | 08.2017 [Rhinoceros,X-Ray]
La razón, una línea ondulada instintivamente. Dejando de pensar en que fue, es o será; tan solo una línea curva entre cuerpos. ¡Qué razón dejó de tener.!
A_MORPH A serie of digital illustrations | 12.2015 [Photoshop,Illustrator,Hand-drawing]
Q* Is the beauty embedded on the human being itself, or is on the way we define our own humanity?
UNPBLISHED EDITORIAL WORK Photography . Adrián Catalán | Stylist . Rebeca Sueiro
NO/DO Illustrations | 05.2015 [Acrylics,Ink,Pencils]
A digital iteration | 08.2015 [Photoshop]
A test of old illustrations from a catwalk perspective | 2014
 Study of a book. 05.2018 [Paper,Plaster]
The “perfect” european shoe/feet. _Bernard Rudofksy
Bodies that defy the norm Fakir Musafar Lisa Lyon
A digital iteration | 11.2017 Facial shape manipulation [Photoshop]
Digital Collages | 06.2017 Trying bodies
Work in Progress | 04.2018 A preview [Digital, Rhinoceros]
Q.* How does a material interact with the body?
Testing bodies | 05.2017 [Flesh,3D Printing]
Planar representation of a body | 05.2018 [3D Rhinoceros,Adobe Illustrator]
Isocurves morphing | 01.2018
Isocurves morphing | 01.2018
"If clothing is the external fragments of the human body representation through time, the body is the ephemeral base where clothing stands in time and space"
Iteration of how to expose a body | 05.2017 [A taken old painting,digital manipulation]
Q* Unseen.Seen. Exposed. Hide A constant inprint of a created self. ¿Does it helps to be true to ourselves? Render of a space | 08.2017 [Rhinoceros,X-Ray]
La razón, una línea ondulada instintivamente. Dejando de pensar en que fue, es o será; tan solo una línea curva entre cuerpos. ¡Qué razón dejó de tener.!
A_MORPH A serie of digital illustrations | 12.2015 [Photoshop,Illustrator,Hand-drawing]
Q* Is the beauty embedded on the human being itself, or is on the way we define our own humanity?
UNPBLISHED EDITORIAL WORK Photography . Adrián Catalán | Stylist . Rebeca Sueiro
NO/DO Illustrations | 05.2015 [Acrylics,Ink,Pencils]
A digital iteration | 08.2015 [Photoshop]
A test of old illustrations from a catwalk perspective | 2014
 Study of a book. 05.2018 [Paper,Plaster]
The “perfect” european shoe/feet. _Bernard Rudofksy
Bodies that defy the norm Fakir Musafar Lisa Lyon
A digital iteration | 11.2017 Facial shape manipulation [Photoshop]
Digital Collages | 06.2017 Trying bodies
Work in Progress | 04.2018 A preview [Digital, Rhinoceros]
Q.* How does a material interact with the body?
Testing bodies | 05.2017 [Flesh,3D Printing]
Planar representation of a body | 05.2018 [3D Rhinoceros,Adobe Illustrator]
Isocurves morphing | 01.2018
Isocurves morphing | 01.2018
"If clothing is the external fragments of the human body representation through time, the body is the ephemeral base where clothing stands in time and space"
Iteration of how to expose a body | 05.2017 [A taken old painting,digital manipulation]
Q* Unseen.Seen. Exposed. Hide A constant inprint of a created self. ¿Does it helps to be true to ourselves? Render of a space | 08.2017 [Rhinoceros,X-Ray]
La razón, una línea ondulada instintivamente. Dejando de pensar en que fue, es o será; tan solo una línea curva entre cuerpos. ¡Qué razón dejó de tener.!
A_MORPH A serie of digital illustrations | 12.2015 [Photoshop,Illustrator,Hand-drawing]
Q* Is the beauty embedded on the human being itself, or is on the way we define our own humanity?
UNPBLISHED EDITORIAL WORK Photography . Adrián Catalán | Stylist . Rebeca Sueiro
NO/DO Illustrations | 05.2015 [Acrylics,Ink,Pencils]
A digital iteration | 08.2015 [Photoshop]
A test of old illustrations from a catwalk perspective | 2014
 Study of a book. 05.2018 [Paper,Plaster]
The “perfect” european shoe/feet. _Bernard Rudofksy
Bodies that defy the norm Fakir Musafar Lisa Lyon
A digital iteration | 11.2017 Facial shape manipulation [Photoshop]
Digital Collages | 06.2017 Trying bodies
Work in Progress | 04.2018 A preview [Digital, Rhinoceros]
Q.* How does a material interact with the body?
Testing bodies | 05.2017 [Flesh,3D Printing]
Planar representation of a body | 05.2018 [3D Rhinoceros,Adobe Illustrator]
Isocurves morphing | 01.2018
Isocurves morphing | 01.2018
"If clothing is the external fragments of the human body representation through time, the body is the ephemeral base where clothing stands in time and space"
Iteration of how to expose a body | 05.2017 [A taken old painting,digital manipulation]
Q* Unseen.Seen. Exposed. Hide A constant inprint of a created self. ¿Does it helps to be true to ourselves? Render of a space | 08.2017 [Rhinoceros,X-Ray]
La razón, una línea ondulada instintivamente. Dejando de pensar en que fue, es o será; tan solo una línea curva entre cuerpos. ¡Qué razón dejó de tener.!
A_MORPH A serie of digital illustrations | 12.2015 [Photoshop,Illustrator,Hand-drawing]
Q* Is the beauty embedded on the human being itself, or is on the way we define our own humanity?
UNPBLISHED EDITORIAL WORK Photography . Adrián Catalán | Stylist . Rebeca Sueiro
NO/DO Illustrations | 05.2015 [Acrylics,Ink,Pencils]
A digital iteration | 08.2015 [Photoshop]
A test of old illustrations from a catwalk perspective | 2014
 Study of a book. 05.2018 [Paper,Plaster]
The “perfect” european shoe/feet. _Bernard Rudofksy
Bodies that defy the norm Fakir Musafar Lisa Lyon
A digital iteration | 11.2017 Facial shape manipulation [Photoshop]
Digital Collages | 06.2017 Trying bodies
Work in Progress | 04.2018 A preview [Digital, Rhinoceros]
Q.* How does a material interact with the body?
Testing bodies | 05.2017 [Flesh,3D Printing]
Planar representation of a body | 05.2018 [3D Rhinoceros,Adobe Illustrator]
Isocurves morphing | 01.2018
Isocurves morphing | 01.2018
"If clothing is the external fragments of the human body representation through time, the body is the ephemeral base where clothing stands in time and space"
Iteration of how to expose a body | 05.2017 [A taken old painting,digital manipulation]
Q* Unseen.Seen. Exposed. Hide A constant inprint of a created self. ¿Does it helps to be true to ourselves? Render of a space | 08.2017 [Rhinoceros,X-Ray]
La razón, una línea ondulada instintivamente. Dejando de pensar en que fue, es o será; tan solo una línea curva entre cuerpos. ¡Qué razón dejó de tener.!
A_MORPH A serie of digital illustrations | 12.2015 [Photoshop,Illustrator,Hand-drawing]
Q* Is the beauty embedded on the human being itself, or is on the way we define our own humanity?
UNPBLISHED EDITORIAL WORK Photography . Adrián Catalán | Stylist . Rebeca Sueiro
NO/DO Illustrations | 05.2015 [Acrylics,Ink,Pencils]
A digital iteration | 08.2015 [Photoshop]
A test of old illustrations from a catwalk perspective | 2014
 Study of a book. 05.2018 [Paper,Plaster]
The “perfect” european shoe/feet. _Bernard Rudofksy
Bodies that defy the norm Fakir Musafar Lisa Lyon
A digital iteration | 11.2017 Facial shape manipulation [Photoshop]
Digital Collages | 06.2017 Trying bodies
Work in Progress | 04.2018 A preview [Digital, Rhinoceros]
Q.* How does a material interact with the body?
Testing bodies | 05.2017 [Flesh,3D Printing]
Planar representation of a body | 05.2018 [3D Rhinoceros,Adobe Illustrator]
Isocurves morphing | 01.2018
Isocurves morphing | 01.2018
"If clothing is the external fragments of the human body representation through time, the body is the ephemeral base where clothing stands in time and space"
Iteration of how to expose a body | 05.2017 [A taken old painting,digital manipulation]
Q* Unseen.Seen. Exposed. Hide A constant inprint of a created self. ¿Does it helps to be true to ourselves? Render of a space | 08.2017 [Rhinoceros,X-Ray]
La razvón, una línea ondulada instintivamente. Dejando de pensar en que fue, es o será; tan solo una línea curva entre cuerpos. ¡Qué razón dejó de tener.!
A_MORPH A serie of digital illustrations | 12.2015 [Photoshop,Illustrator,Hand-drawing]
Q* Is the beauty embedded on the human being itself, or is on the way we define our own humanity?
UNPBLISHED EDITORIAL WORK Photography . Adrián Catalán | Stylist . Rebeca Sueiro
NO/DO Illustrations | 05.2015 [Acrylics,Ink,Pencils]
A digital iteration | 08.2015 [Photoshop]
A test of old illustrations from a catwalk perspective | 2014
 Study of a book. 05.2018 [Paper,Plaster]
The “perfect” european shoe/feet. _Bernard Rudofksy
Bodies that defy the norm Fakir Musafar Lisa Lyon
A digital iteration | 11.2017 Facial shape manipulation [Photoshop]
Digital Collages | 06.2017 Trying bodies
Work in Progress | 04.2018 A preview [Digital, Rhinoceros]
Q.* How does a material interact with the body?
Testing bodies | 05.2017 [Flesh,3D Printing]
Planar representation of a body | 05.2018 [3D Rhinoceros,Adobe Illustrator]
Isocurves morphing | 01.2018
Testing bodies | 05.2017 [Flesh,3D Printing]
Isocurves morphing | 01.2018
"If clothing is the external fragments of the human body representation through time, the body is the ephemeral base where clothing stands in time and space"
Iteration of how to expose a body | 05.2017 [A taken old painting,digital manipulation]
Q* Unseen.Seen. Exposed. Hide A constant inprint of a created self. ¿Does it helps to be true to ourselves? Render of a space | 08.2017 [Rhinoceros,X-Ray]
La razvón, una línea ondulada instintivamente. Dejando de pensar en que fue, es o será; tan solo una línea curva entre cuerpos. ¡Qué razón dejó de tener.!
A_MORPH A serie of digital illustrations | 12.2015 [Photoshop,Illustrator,Hand-drawing]
Q* Is the beauty embedded on the human being itself, or is on the way we define our own humanity?
UNPBLISHED EDITORIAL WORK Photography . Adrián Catalán | Stylist . Rebeca Sueiro
NO/DO Illustrations | 05.2015 [Acrylics,Ink,Pencils]
A digital iteration | 08.2015 [Photoshop]
A test of old illustrations from a catwalk perspective | 2014
 Study of a book. 05.2018 [Paper,Plaster]
The “perfect” european shoe/feet. _Bernard Rudofksy
Bodies that defy the norm Fakir Musafar Lisa Lyon
A digital iteration | 11.2017 Facial shape manipulation [Photoshop]
Digital Collages | 06.2017 Trying bodies
Work in Progress | 04.2018 A preview [Digital, Rhinoceros]
Q.* How does a material interact with the body?
Testing bodies | 05.2017 [Flesh,3D Printing]
Planar representation of a body | 05.2018 [3D Rhinoceros,Adobe Illustrator]
Isocurves morphing | 01.2018
Testing bodies | 05.2017 [Flesh,3D Printing]
Isocurves morphing | 01.2018
"If clothing is the external fragments of the human body representation through time, the body is the ephemeral base where clothing stands in time and space"
Iteration of how to expose a body | 05.2017 [A taken old painting,digital manipulation]
Q* Unseen.Seen. Exposed. Hide A constant inprint of a created self. ¿Does it helps to be true to ourselves? Render of a space | 08.2017 [Rhinoceros,X-Ray]
La razvón, una línea ondulada instintivamente. Dejando de pensar en que fue, es o será; tan solo una línea curva entre cuerpos. ¡Qué razón dejó de tener.!
A_MORPH A serie of digital illustrations | 12.2015 [Photoshop,Illustrator,Hand-drawing]
Q* Is the beauty embedded on the human being itself, or is on the way we define our own humanity?
UNPBLISHED EDITORIAL WORK Photography . Adrián Catalán | Stylist . Rebeca Sueiro
NO/DO Illustrations | 05.2015 [Acrylics,Ink,Pencils]
A digital iteration | 08.2015 [Photoshop]
A test of old illustrations from a catwalk perspective | 2014